Curated by Marco Delogu
Text by Paolo Caredda
Photographs: Roberto Schena
Graphic Design: Alvise Renzini
Publisher: Punctum, 2012
112 pp.; 51 color photographs; Ita./Eng.
Hardcover 21,4x28,6cm
ISBN 978-88-95410-21-0
Year of publication 2012
Publisher’s Description:
SP67: 13 kilometers of o provincial road from Apparizione, a neighbourhood on the borderline of Genoa, to Calcinara, four houses in the inland. Around here, “Dark Nord Wind” is the name given to the North Wind when it carries rain and storms. The author spent three years to cover these 13 kilometers. More or less, it is the right amount of time if someone wants to catch the mysteries of a Place. His car parked, he descended deep into the woods, uninvited.
Expecting to retrace someone else’s steps, studying the plants, amidst the fog, in the night.
Three years of following his subjects, climbing, meeting the local inhabitants. Eating fast before the storm arrives. These are memoirs of an explorer who desires to extract the sublime where others wouldn’t think to look for it: in a stretch of road, in an encounter with a wild pig, in a frozen night.
Two short stories by Paolo Caredda form the prologue and the epilogue.
A map of the territory provides a geographical reference to those who are interested, with their imagination, in reconstructing the author’s journey. And for those who live in Genoa, this visual essay becomes an inspiration for discovering all the hidden places portrayed in these photographs.
Roberto Schena, born in Genoa in 1960, now lives and works in Milan. He has taught visual arts and semiotics of design, and has been involved in the production of music videos, commercials, low-budget films. He now works for a commercial agency. His work as a photographer has evolved over the last eight years. Schena’s visual work focuses on landscape photography as interpreted through a timeless, dreamlike vision.
• 31 August 2012
Tags |
photobook |
Roberto Schena |
Punctumpress |
Album, Magazin für Fotografie
Issue 3
2012
Publisher’s Description:
The white, the erased, the disappearing, the disintegrating, the scattered, the neboulsly shapeless, the dissolving, the outshined, the invisible, the not yet visible, the minimal, the rudimentary, the diminished, the disguised, the indepictable, the long forgotten, the lost.
Photography is the everlasting fight against disappearance. It serves as evidence, as a recourse and reminder; a trace of the past, a chemical inscription of brief moments. Through an incident of light, a juxtaposition of light and dark emerg– es on the film-stock’s coating. The very light which makes everything visible is likewise capable of annihilating it’s own traces. Where are the limits of the depictable? Where does the depicted image begin to dissolve?
The artists of issue #3 are Ben Alper , Viktoria Binschtok , Adam Broomberg and Oliver Chanarin , Ezio D’Agostino , Goekhan Erdogan, Altan Eskin , Nicolai Howalt , Daniel Müller-Jansen , Jim Reed, Simone Schulz, Eva Stenram , andStephan Tillmans .
The texts have been written by Jon Feinstein, Sandra Groll, Kristina Lykke Hansen, Jule Hillgärtner, Christian Janecke, Christof Maul, Lars Mextorf, Walter Benn Michaels, Marc Ries, and Philippa Snow.
(via Issue #3 “The White Album” | Album, Magazin für Fotografie)
• 14 August 2012
Tags |
Zine |
Magazine |
Photography |
Album Magazine fur Fotografie |
Volume 1: A Fieldguide For The International Survivalist; Expanding The Network
by: Gerald Edwards III
2006
37 pages,
8.26” x 11.69”
perfect binding, black and white interior ink
Unlimited Edition
Publisher’s Description:
This Anthology presents picture of what it takes for the global citizen to thrive on the larger board of life. From harnessing free energy to self defense, The Fieldguide equips the reader with knowledge and techniques in order to take it to the next level in the years to come.
(via Books : Gerald Edwards III)
• 13 August 2012
Tags |
Team Big Tooth Press |
Gerald Edwards III |
artist book |
Cars Fixed by Adam Smith

Cars Fixed by Adam Smith
5.5” x 8.5”
26 pages
Saddle-stitched
Edition of 50
$7.50
click to buy
• 8 August 2012
Tags |
zine |
self published |
submission |
Michela Palermo
“As I Was Following You”
Publisher’s Description:
Coming to grips with a shattered reality, I tried to make an excursion into the uncertainties of urban life, playing with the echo of imaginary world. My subjects accept the failure of order; they sense their own inability to control the world and yet, they keep trying.
(Source: vimeo.com)
• 21 July 2012
Tags |
Self published |
photobook |
cbm: chopped liver press
“cbm: chopped liver press
july 19, 2012, 6 p.m. - july 19, 2012, 9 p.m.
For the launch of the Copeland Book Market Chopped Liver Press (Adam Broomberg and Oliver Chanarin) will set up a screenprinting facility producing hand-made ‘Chopped Liver’ posters printed on random pages of the International Herald Tribune. They will also screen the film Black Market.
Black Market takes its name from the eponymous film Al Suq al Soda, or Black Market. Directed by the surrealist painter-turned-filmmaker Kamel el-Telmissany, the film was banned shortly after its release in Egypt in 1945, and has since all but disappeared. What is more, this rare copy of the film, a recording from television, has been partially erased by another film – an unknown porno probably made in the 1970s or 80s. The two films share the same strip of magnetic tape, but sit uncomfortably together and transmit inverse aesthetic, moral and political positions. www.choppedliver.info “
• 19 July 2012
Tags |
Chopped liver press |
A Part
Stepanka Peterka and Zachary Allen
52 colour pages
5.25″ x 6.75″
variable covers, hand bound and sewn
edition of 10
publication date: June 2012
Publisher’s Description:
A Part is inspired by a relationship experienced primarily through photography, crystals, and digital communication. Regardless of an uncertain future, two people battled to connect over space, time zones and sporadic meetings. Represented as a selection from an ongoing archive of text messages, photographs and screen grabs, this book aims to reconcile with the intra and interpersonal experiences of magic, time, change, expectations and the idea of being together.
(via Broken Editions)
• 30 June 2012
Tags |
photobook |
artist book |
broken editions |
“Aperture is pleased to present the digital edition of The PhotoBook Review Issue 002. This issue’s guest editor,Marcus Schaden, introduces The Dummy Shop; Gerry Badgerand Tate Shaw on sequencing photographs; plus the usual profiles and book reviews of the good, the bad, and the beautiful:Ivan Vartanian on Katsumi Omori; Susan Bright on the POV Female series; Joachim Brohm on Michael Schmidt; James Crump on Ryan McGinley, and many more.”
Publisher’s Description:
The PhotoBook Review is a publication dedicated to the consideration of the photobook—focusing on the best photography books being published, from the coffee-table book to the handmade artist’s edition, and on creating a better understanding of the ecosystem of the photobook as a whole.
(via The PhotoBook Review Magazine Subscription, 1 Digital Issue | Zinio - The World’s Largest Newsstand)
• 28 June 2012
Tags |
aperture |
photobook |
photobook review |
zine |
ezine |
2012 |
“Lime”
Josef Koudelka
Éditions Xavier Barral
248 pages - 24 x 33 cm
“Josef Koudelka’s latest book, “Lime” (Xavier Barral), follows up on the photographer’s work on Limestone (La Martinière, 2001). That work featuring 36 panoramic photographs was published in a limited edition of 500 copies and is today out-of-print.
In the 245-page “Lime”, we find those same previously published photographs plus more recent ones on the same subject. In the text that accompanies the pictures, “Nature and Man: Josef Koudelka, The Freedom to Observe,” Jacqueline de Ponton d’Amécourt emphasizes the interest a number of painters since the 19th century have taken in rock quarries, from Gustave Courbet in 1850 and, later, Paul Cezanne at the Montagne Saint Victoire, to Pablo Picasso and the old quarries near the Chateau de Vauvenargues.
Like these great painters of the 19th century, Koudelka chose quarries as his subject. At the invitation of the largest global mining group, the photographer regularly visits quarries across the world. From 1999 to 2010, he visited 51 quarries in 11 countries, sometimes spending days on location. He brought back panoramic black-and-white photographs showing apocalyptic landscapes that show traces of mankind, even though the pictures lack human presence to provide a sense of scale.
It is for this reason that Koudelka does not consider this series as a commission, but rather a mission related to the “current concerns about man’s harmful effect on landscapes.” With this book, Koudelka touches on something timely and universal: human activity that permanently changes the landscape. ”
Others will see in this book an instance of Land Art.
Bernard Perrine
Bernard.Perrine1@orange.fr
(via Josef Koudelka’s latest book: Lime | La Lettre de la Photographie)
• 26 June 2012
Tags |
Josef Koudelka |
Éditions Xavier Barral |
photobook |
Night & Day:
David Armstrong
150+ pages | 21 X 28 cm
Casebound with Blue cloth
Cover Designed by Rene Ricard - Conversation Jack Pierson
Publisher’s Description:
Night & Day brings together a selection of iconic Kodachrome pictures from David Armstrong’s archive of the late 70’s and early 80’s New York scene.
The images illuminate an intimate and carefree epoch of innocent-bohemian wilderness -a time just before the tumultuos 80’s.
Dispersed through out the series are images of generation of youngsters which changed culture - including Rene Ricard, Philip-Lorca diCorcia, Jean-Michel Basquait, John Waters to mention a few.
Vernacular yet with a undeniable ability to capture and create timeless images, David Armstrong’s Night & Day tells tales of a bygone era.
The book contains 110 images, including a facsimile of an original poem typed out in 1979 by Rene Ricard.
(via Mörel David Armstrong)
• 25 June 2012
Tags |
photobook |
morel books |
david armstrong |
5on1:
Issue 1
5/1 - Portraits
Issue 1 focuses on portraits and features work from Barnaby Kent, Paul John Nelson, Jake Krushell, Stephanie Mill and Daniel Navarrete.
It is a 40 page zine printed on uncoated 160gsm paper, saddle stitched and self published in an edition of 25.
£5 + postage (£1.50 UK / £2.50 Europe / £3.00 Rest of the World)
(please use the link to the left and feel free to reblog, thanks again guys)
• 23 June 2012
Tags |
zine |