“People always say to me, “Your pictures are so lonely.” I think if you look at the vast majority of the books [I’ve collected here in the studio] with pictures, they’re lonely. Photography is a very lonely medium. There’s a kind of beautiful loneliness in voyeurism. And that’s why I’m a photographer.” (…)
August 2010
14 posts
What are your opinions on the idea of the Internet as replacement for critique space? As replacement for museum or gallery? Jpeg as replacement for physical art object? Tumblr as replacement for curation?
Fine for others, whatever, but I still like physical stuff. The pleasure of being a photographer is having an excuse to wander out into the world. I’ve come to think of the process as being like web-surfing in the real world. And I still like to make physical stuff at the end of this process like books and prints. But I have no problem with people choosing to experience the world in virtual space. (Did I mention I’m old).
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Lewis Baltz – Works
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A limited Edition of 1,100 copies,
including a numbered certificate, signed by Lewis BaltzNine volumes printed quadratone; Sites of Technology printed quadratone and four colour
The Prototype Works 1967–76. Text by Matthew S. Witkovsky. 188 pages
The Tract Houses 1971. Foreword by Adam D. Weinberg. Text by Sheryl Conkelton. 60 pages
The new Industrial Parks near Irvine, California 1974. 108 pages
Maryland 1976. Text by Jane Livingston. 56 pages
Nevada 1977. Text by Robert Sobieszek. 44 pages
Park City 1980. Text by Hubertus von Amelunxen. 216 pages
San Quentin Point 1986. 120 pages
Near Reno 1986. 32 pages
Continuous Fire Polar Circle 1986. 20 pages
Sites of Technology 1989–91. Text by Antonello Frongia. 120 pages
- 10 volumes
- 27.9 cm x 26.8 cm
- Clothbound hardcovers housed in an embossed clothbound slipcase
- Steidl
- ISBN: 978-3-86930-114-3
- Publication date: August 2010
Great list of photography books, thanks for putting it together! Missing a couple of important books though (ex: Stephen Shore’s “Uncommon Places” – 1982)
This is a partial list of the seminal photo books in the history of photography. The information on this list is drawn from “Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century”.
1907 - Edward Curtis: “The North American Indian, Volume One”
1909 - Alvin Langdon Coburn: “London”
1911 - Alfred Stieglitz: “Camera Work, Number XXXVI”
1917 - Paul Strand: “Camera Work, Number XLIX, Number L”
1925 - László Moholy-Nagy: “Malerei Fotografie Film”
1927 - Germaine Krull: “Métal”
1928 - Karl Blossfeldt: “Urformen der Kunst”; Albert Renger-Patzsch: “Die Welt ist Schön”
1929 - August Sander: “Antlitz der Zeit”; Edward Steichen and Carl Sandburg: “Steichen The Photographer”
1930 - Ansel Adams: “Taos Pueblo”; Eugène Atget: “Atget Photographe de Paris”; Claude Cahun: “Aveux non Avenus”; František Drtikol: “Zena ve Svetle”
1931 - Max Ernst and René Crevel: “Mr. Knife Miss Fork”; Helmar Lerski: “Köpfe des Alltags Moï Ver Paris”; Erich Salomon: “Beruhmte Zeitgenossen”
1933 - Brassai: “Paris de Nuit”; Doris Ullman and Julia Peterkin: “Roll, Jordan, Roll”
1934 - Man Ray and James Thrall Soby: “Man Ray Photographs 1920-1934”
1935 - El Lissitzky: “Industriia sotsializma”; Man Ray and Paul Éluard: “Facile”
1936 - Hans Bellmer: “La poupée “; Bill Brandt: “The English at Home”; Georges Hugnet: “La Septième face du dé”
1937 - Margaret Bourke-White and Erskine Caldwell: “You Have Seen Their Faces”; Leni Riefenstahl: “Schönheit im olympischen Kampf”
1938 - Walker Evans: “American Photographs”
1939 - Berenice Abbott: “Changing New York”; Dorothea Lange and Paul Schuster Taylor: “An American Exodus”
1941 - Walker Evans and James Agee: “Let Us Now Praise Famous Men”
1945 - Alexey Brodovitch: “Ballet”; André Kertész: “Day of Paris”; Jindrich Styrsky and Jindrich Heisler: “Na jehlach techto dni”; Weegee: “Naked City”
1946 - Wright Morris: “The Inhabitants”; Zdenek Tmej: “Abeceda”
1947 - Robert Capa: “Slightly Out of Focus”; Edward Weston: “Fifty Photographs”
1949 - Robert Doisneau and Blaise Cendrars: “La Banlieue de Paris”
1952 - Henri Cartier-Bresson: “The Decisive Moment”; Paul Strand and Claude Roy: “La France de Profil”
1955 - Roy DeCarava and Langston Hughes: “The Sweet Flypaper of Life”
1956 - William Klein: “Life Is Good & Good for You in New York”; Josef Sudek: “Josef Sudek Fotografie”; Ed Van der Elsken: “Love on the Left Bank”
1959 - Richard Avedon and Truman Capote: “Observations”; Robert Frank: “The Americans”; Aaron Siskind: “Photographs”; Ed Van der Elsken: “Jazz”
1960 - Irving Penn: “Moments Preserved”
1961 - Bill Brandt: “Perspective of Nudes”
1962 - Frederick Sommer: “Frederick Sommer 1939-1962 Photographs”
1963 - Eikoh Hosoe and Yukio Mishima: “Killed by Roses”
1964 - Harry Callahan: “Photographs”
1965 - Peter Hill Beard: “The End of the Game”; Emmet Gowin: “Concerning America and Alfred Stieglitz, and Myself”; Kikuji Kawada: “The Map”; Helen Levitt: “A Way of Seeing”
1966 - Walker Evans: “Many Are Called”; Edward Ruscha: “Every Building on the Sunset Strip”
1967 - Ugo Mulas: “New York: The New Art Scene”; Andy Warhol: “Andy Warhol’s Index (Book)”
1968 - Danny Lyon: “The Bikeriders”
1969 - Garry Winogrand: “The Animals”
1970 - Bernhard und Hilla Becher: “Anonyme Skulpturen”; Bruce Davidson: “East 100th Street”; Lee Friedlander: “Self Portrait”; Jacques-Henri Lartigue: “Diary of a Century”
1971 - Nobuyoshi Araki: “Sentimental Journey”; Larry Clark: “Tulsa”; Danny Lyon: “Conversations with the Dead”; Lucas Samaras: “Samaras Album”
1972 - Diane Arbus: “Diane Arbus”; Pierre Molinier and Peter Gorsen: “Pierre Molinier, lui meme “; Daido Moriyama: “Bye, Bye Photography, Dear”
1973 - Michael Lesy: “Wisconsin Death Trip”; Bill Owens: “Suburbia”
1974 - Robert Adams: “The New West”; Lewis Baltz: “The New Industrial Parks near Irvine, California”; Ralph Eugene Meatyard: “The Family Album of Lucybelle Crater”
1975 - W. Eugene Smith: “Minamata”
1976 - William Eggleston: “William Eggleston’s Guide”; Lee Friedlander: “The American Monument”; Susan Meiselas: “Carnival Strippers”
1977 - Mike Mandel and Larry Sultan: “Evidence”
1979 - Lisette Model: “Lisette Model”
1983 - Larry Clark: “Teenage Lust”, Gilles Peress: “Telex Iran”
1985 - Jim Goldberg: “Rich and Poor”
1986 - Nan Goldin: “The Ballad of Sexual Dependency”; Bruce Weber: “O Rio de Janeiro”
1987 - Bill Burke: “I Want To Take Picture”; Joel Sternfeld: “American Prospects”
1989 - Joan Fontcuberta and Pere Formiguera: “Fauna”
1990 - Allen Ginsberg: “Allen Ginsberg Photographs”
1991 - Lothar Baumgarten: “Carbon”
1994 - Christian Boltanski: “Menschlich”
1995 - Richard Prince: “Adult Comedy Action Drama”
1996 - David LaChapelle: “LaChapelle Land”